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ANNE ALLGOOD (Joanne) makes her Geva Theatre Center debut in Company. Broadway credits include Rosabella in The Most Happy Fella, Nettie in Carousel, The Sound of Music, Beauty and the Beast, and Imaginary Friends. National tours include Floyd Collins, Parade, Evita, South Pacific, and Urinetown. Ms. Allgood has appeared at regional theatres coast to coast. Notable among her numerous Seattle credits are Mary in Mary Stuart, Ursula in Vincent in Brixton, Eleanor/Esme in Rock ‘N Roll, Old Woman in Candide, Nurse in Sunday in the Park with George, Queen in Cymbeline, understudy for Momma in Memphis and A Christmas Story (starring opposite John Bolton). Ms. Allgood is the recipient of three Seattle Times Footlight Awards and is a Gregory Award nominee. Love to Bill.

BOBBY DAYE (David) makes his debut performance at Geva Theatre Center. Broadway credits include The Book of Mormon, Shrek, The Color Purple, The Lion King, Smokey Joe's Cafe, The Wiz and Dreamgirls. Mr. Daye is a recipient of the 2010 NYMF Outstanding Individual Performance award. He is the composer of the theme to ABC-TV's “Loving” and can be heard and seen in many Radio and TV commercials.

NICOLETTE HART (Marta) is in complete denial that A Chorus Line was seven years ago, but is thrilled to be back on the Geva Theatre Center Mainstage. Broadway credits include Million Dollar Quartet, Legally Blonde, Rent and The Wedding Singer. Most recently Ms. Hart has been working on the upcoming Broadway show CHIX 6, as well as reacquainting herself with singer-songwriter Melanie, in preparation for the world premiere of new musical, Melanie and the Record Man, debuting at Rochester’s Blackfriars Theatre. Other credits include How To Succeed in Business Without Really Trying; Kiss My Brass - Bette Midler’s World Tour; The Will Rogers Follies; Always, Patsy Cline; Civil War; Stand By Your Man: The Tammy Wynette Story; Kiss of The Spiderwoman and Little Shop of Horrors. TV/Film credits include “Nurse Jackie,” “Lipstick Jungle,” “Law & Order,” Cherry Crush and The Other Woman. Ms. Hart is a proud member of AEA.

LESLIE HENSTOCK (Kathy) makes her Geva Theatre Center debut in Company. A Michigan native, Ms. Henstock holds a B.F.A. in Musical Theatre from the University of Michigan. Off- Broadway credits include Frankenstein (Justine/Agatha u/s and Original Cast Recording). National Tours include The Light in the Piazza (Clara u/s); Les Miserables (Cosette); and A Christmas Story, The Musical (Mother u/s). Regional credits include Maria in The Sound of Music, Hodel in Fiddler on the Roof. Ms. Henstock has appeared in HBO’s Boardwalk Empire. She is a founding member of the cabaret group, People You May Know. For her solo recording, Defying Gravity, please visit www.lesliehenstock.com. Thanks to Sarah Jane, for understanding work-related bridesmaid conflicts! Love to her parents, Charlie and Allyson.

JESSIE HOOKER (Jenny) makes her Geva Theatre Center debut in Company. Some of her favorite credits include the national tour of Legally Blonde, Sarah in Ragtime and Kate in Lippa's The Wild Party. Ms. Hooker is a proud alumnus of Shenandoah Conservatory. God is good and always provides! Love to her amazing parents, family and friends. This and every performance is dedicated to my best friend, my twinny, my Ira. I miss you, I love you and will continue to "claim my space" for you! www.jessiehooker.com

KRISTEN MENGELKOCH (Amy) is thrilled to be part of Company. Previously at Geva Theatre Center she appeared in Perfect Wedding, The Music Man and the 2010 revival of Five Course Love. Off-Broadway she has performed in NEWSical The Musical, Forbidden Broadway and appears on the cast recording of FB Goes to Rehab. Regional credits include I Love You Because, Meshuggah-Nuns, The Most Happy Fella, Pete ‘n’ Keely, The Nerd, The Last Five Years and Gypsy. Television credits include” Veronica Mars.” From 2007 to 2009 Ms. Mengelkoch was the co-founder of Ampersand Theatre Company in New York City. She is a graduate of San Diego State University’s M. F. A. in Musical Theatre program. A native of Wichita, Kansas, she holds a B.F.A in Theatre from Emporia State University. Thanks to Mark, Don and Meg. My love to Jonathan. www.kristenmengelkoch.com

JIM POULOS (Bobby) is happy to be back at Geva Theatre Center where he has been seen as Mozart in Amadeus, Vince in Convenience, Bobby Strong in Urinetown, and Bob Cratchit in A Christmas Carol. Broadway credits include Mark Cohen in Rent, Huck Finn in The Adventures of Tom Sawyer, as well as Seymour in the National Tour of Little Shop of Horrors. Off-Broadway credits include My Life with Albertine at Playwrights Horizons, Illyria at Prospect Theater Company; and in London, Paradise Found at the Menier Chocolate Factory, co-directed by Harold Prince and Susan Stroman. Regional Theatre credits include right next to me, an original musical by Gregg Coffin, directed by Melissa Rain Anderson; Amadeus and The Comedy of Errors at Repertory Theatre of St. Louis; Assassins at Arden Theatre Company, Nerds://A Musical Software Satire at Philadelphia Theatre Company; Lend Me A Tenor, The Foreigner, and The Odd Couple at John W. Engmeman Theatre; and A Little Night Music at California Music Theatre. Mr. Poulos lives in Manhattan with his wife, Melissa Rain Anderson. jimpoulos.com

MICHELE RAGUSA (Sarah) makes her Geva Theatre Center debut in Company. She has just returned from starring as Miss Hannigan in TUTS-Houston’s Annie. Ms. Ragusa was last seen on Broadway in Young Frankenstein as Elizabeth (succeeding Megan Mullally). Other Broadway credits include Urinetown, Ragtime, A Class Act, Titanic and Cyrano. Other NYC credits include Corinna in Adrift in Macao at Primary Stages (Lortel/Drama League nomination and Barrymore Award). Regional Credits include Dixie in the World Premiere of For The Boys; Lina in Singing In The Rain (Kline Nomination); The Witch in Into The Woods; Kate in Kiss Me, Kate; Amalia in She Loves Me; Adelaide in Guys and Dolls (Rabin Award); Maria in Lend Me A Tenor; Vickie in The Full Monty; Sr. Amnesia in Nunsense and Christine in Phantom. Ms. Ragusa has been a frequent guest soloist with symphonies across the country – look for her! www.micheleragusa.com

BEN ROSEBERRY (Paul) makes his Geva Theatre Center debut in Company. National tours include The Lion King and Rent. Off-Broadway credits include the original cast of Fugitive Songs (Drama Desk Nomination), and Emma. Regionally, Mr. Roseberry has appeared in The Mysteries of Harris Burdick at Barrington Stage Co., Max Understood at the O'Neill NMTC, The Dogs of Pripyat at Weston Playhouse, The 12 for Inserra Theatre Co., Godspell at Allenberry Playhouse. Later this year, he will be appearing in The Little Mermaid at Sacramento Music Circus. He has also taken part in countless readings, workshops, recordings and concerts. In addition to writing and performing his own music throughout the NYC area, Mr. Roseberry has been a finalist on the legendary “Amateur Night at the Apollo,” achieving a major life goal. He is a proud graduate of Webster University's Conservatory for Theater Arts. He would like to thank his family, the entire team at Professional Artists, his beautiful wife Sarah, and God. Mr. Roseberry is a proud member of AEA. benroseberry.com

BRUCE SABATH (Harry) is thrilled to make his Geva Theatre Center debut. A native Rochesterian, his Broadway credits include Larry in Company (Tony® Award – Best Revival). New York credits include Hello, Again (Drama Desk and Outer Critics Circle award nominations – Best Revival); Platinum; The Sphinx Winx; Jerusalem Syndrome; Prince Hal and Fleet Week. Mr. Sabath appeared in the national tour of Victor/Victoria. Regional credits include Merrily We Roll Along, Company at Cincinnati Playhouse; Frost/Nixon as Nixon at the Caldwell Theatre; Florida Studio Theatre, Human Race Theatre, Schoolhouse Theater, Arts Center of Coastal Carolina, Forestburgh Playhouse, West Virginia Public. TV credits include “Boardwalk Empire,” “Onion SportsDome” and “PBS Great Performances – Company.” Mr. Sabath is a graduate of Harvard, Wharton and William Esper Studio. Thanks to Karen, Jeremy and Michael, for dreaming with me. www.BruceSabath.com.

EMILY STOCKDALE (April) makes her Geva Theatre Center debut in Company. She recently graduated from Pace University with a B.F.A. in Musical Theatre. Favorite roles at Pace include Sally Bowles in Cabaret and Evelyn Nesbit (u/s) in Ragtime. Ms. Stockdale also performed in Seussical, Rent, Oklahoma!, and Babes in Arms at Weathervane Repertory Theater. Last spring, she was in the cast of the New York Philharmonic's production of Company directed by Lonny Price at Lincoln Center. Thanks to Mom, Dad, Grace and Beth for their constant positivity, love and support.

ELISA VAN DUYNE (Susan) is ecstatic to have this opportunity to perform a Sondheim show again and make her debut at Geva Theatre Center. Her Broadway credits include Finian's Rainbow, Beauty and the Beast, 110 In The Shade, and 42nd Street. In addition to Broadway, she has enjoyed working at regional theatres across the country such as the Kennedy Center, Papermill Playhouse, Walnut Street Theater and Fulton Opera House to name a few. Some of her favorite roles have been Velma in Chicago, Milly in Seven Brides for Seven Brothers, Anytime Annie in 42nd Street, and Eliza Doolittle in My Fair Lady. She is a proud alumnus of The Boston Conservatory and member of Actors Equity. Thanks and love to Aunt Jackie, my Mom, my amazing husband Jeremy and little son Harlan.

KEVIN VORTMANN (Peter) makes his Geva Theatre Center debut in Company. He appeared on Broadway in the revival of A Little Night Music and was the standby for the title role in the Roundabout Theatre Company’s Off-Broadway production of Death Takes a Holiday. Other New York appearances include Face the Music, Juno, Stairway to Paradise, On the Town, Lost in the Stars and Applause with New York City Center’s Encores! Series; featured soloist in Leonard Bernstein’s Mass at Carnegie Hall, the Kennedy Center and with Baltimore Symphony (Grammy-Nominated Recording on the Naxos label), Showboat and Mother Russia. Favorite regional credits include Next to Normal (Dan), Miss Saigon (Chris) and Forever Plaid (Smudge). Love to Amanda. For more info please visit www.kevinvortmann.com

JEFF WILLIAMS (Larry) is happy to return to Geva Theatre Center having previously appeared here in 1776 and a reading of Gregg Coffin’s right next to me. Theatre credits include productions of M. Butterfly, The Crucible, The Sisters Rosensweig, Art, Terra Nova, Over The Tavern, Blithe Spirit, You Never Know as well as the Broadway companies of The Pirate Queen, Chitty Chitty Bang Bang and The Music Man. Film and TV work includes The Producers, The Musical; “The Sopranos;” “As The World Turns” and “One Life To Live.” Mr. Williams is a Syracuse University graduate and has been a proud Equity member since 1987.

STEPHEN SONDHEIM (Music and Lyrics), one of the most influential and accomplished composer/lyricists in Broadway history, was born in New York City and raised in New York and Pennsylvania. As a teenager he met Oscar Hammerstein II, who became Sondheim's mentor. Sondheim graduated from Williams College, where he received the Hutchinson Prize for Music Composition. After graduation he studied music theory and composition with Milton Babbitt. He worked for a short time in the 1950s as a writer for the television show “Topper;” his first professional musical theatre job was as the songwriter for the unproduced musical Saturday Night. He wrote the lyrics for West Side Story (1957), Gypsy (1959) and Do I Hear A Waltz? (1965), as well as additional lyrics for Candide (1973). Musicals for which he has written both music and lyrics include A Funny Thing Happened On The Way To The Forum (1962), Anyone Can Whistle (1964), Company (1970 - 1971 Tony Award Music and Best Lyrics), Follies (1971 - 1972 Tony Award Score and New York Drama Critics Circle Award; revised in London, 1987), A Little Night Music (1973 - Tony Award Score), The Frogs (1974), Pacific Overtures (1976 - New York Drama Critics' Circle Award), Sweeney Todd (1979 - Tony Award Score), Merrily We Roll Along (1981), Sunday In The Park With George (1984 - New York Drama Critics Circle Award; 1985 Pulitzer Prize for Drama), Into The Woods (1987 - Tony Award Score), Assassins (1991) and Passion (1994 - Tony Award Score). He composed the songs for the television production Evening Primrose (1966), co-authored the film The Last of Sheila (1973) and provided incidental music for The Girls of Summer (1956), Invitation to a March (1961) and Twigs (1971). Side By Side By Sondheim (1976), Marry Me A Little (1981), You're Gonna Love Tomorrow (1983; originally presented as A Stephen Sondheim Evening) and Putting It Together (1993) are anthologies of his work. He has written scores for the films Stavisky (1974) and Reds (1981), and composed songs for the film Dick Tracy (1990 - Academy Award for Best Song). He is on the Council of the Dramatist Guild, the national association of playwrights, composers and lyricists, having served as its president from 1973 until 1981, and in 1983 was elected to the American Academy of Arts and Letters. In 1990 he was appointed the first Visiting Professor of Contemporary Theatre at Oxford University. He was also a recipient of a Kennedy Center Honor in 1993.

GEORGE FURTH (Book) was born in Chicago and graduated from Northwestern University; he did postgraduate work at Columbia University. He worked extensively as an actor, appearing in many feature films, including The Best Man, Oh God!, Doctor Detroit, Young Doctors In Love, The Man With Two Brains, Cannonball Run, Hooper, Butch Cassidy and the Sundance Kid, Blazing Saddles, Shampoo, Sleeper, The New Interns and Myra Breckinridge; he also acted in many major television shows. In addition to Company, he has written the Broadway shows The Act, Twigs, The Supporting Cast, Merrily We Roll Along, Precious Sons and Getting Away With Murder.

MARK CUDDY (Director) is in his seventeenth season as Artistic Director of Geva Theatre Center. This season, in addition to this production of Company, he directed Superior Donuts and A Christmas Carol (which he also adapted). Last season, he directed the premiere of A Christmas Carol and a landmark production of The Music Man. Mr. Cuddy is well known for his staging of premieres, contemporary comedies and musical theatre. Among his Geva Theatre Center productions have been the Mainstage and Nextstage productions of Five Course Love, Fences; Sweeney Todd; A Christmas Story; Pride and Prejudice (which he also co-adapted); Bad Dates; Our Town; Tuesdays With Morrie; Urinetown; Splitting Infinity; Vigil; A Chorus Line; Hamlet; That Was Then (American premiere); Convenience (world premiere musical); 1776; Proof; the world premiere of Thornton Wilder’s Theophilus North which was also seen at Arena Stage in Washington, D.C.; The Miser; the East Coast premieres of both House and Garden; Quilters; Art; Famous Orpheus (world premiere musical) with Garth Fagan Dance; Every Good Boy Deserves Favor with the RPO; Golf With Alan Shepard; Picasso at the Lapin Agile and State of the Union. Prior to his tenure at Geva Theatre Center, Mr. Cuddy directed a number of world and American classics while Artistic Director of the Idaho Shakespeare Festival and Sacramento Theatre Company.

DON KOT (Music Director) is Resident Music Director and Associate Artist at Geva Theatre Center where he celebrates his tenth season! Geva productions include The Music Man, Five Course Love, Sweeney Todd, The House in Hydesville, Cabaret, Urinetown, Our Town, Inherit the Wind, A Chorus Line, Camelot, 1776, A Christmas Carol, Convenience and as part of Hibernatus Interruptus, The Shaggs: Philosophy of the World, One For My Baby, right next to me and An Evening with Mrs. Kasha Davis, International Celebrity Housewife. New York credits include the Women’s Culture Project, Roads Traveled, and elegies for angels, punks and raging queens. Regional credits include The Best of Forbidden Broadway, Smokey Joe's Café, Leader of the Pack, Honk!, and The Most Happy Fella. Mr. Kot has played for the national touring productions of Fosse, Footloose, Fiddler on the Roof, The King and I, Mamma Mia and Hairspray. Other favorites include Kiss of the Spiderwoman; Blood Brothers; john & jen (Blackfriars); Into the Woods; The Who’s Tommy; Gypsy (JCC); Always, Patsy Cline (DCT); Iolanthe; H.M.S. Pinafore (OMP); The Wind in the Willows; Narnia (RCT), and many, many more!

G.W. MERCIER (Scenic Design) is honored to be an Associate Artist at Geva Theatre Center where he designed The Music Man, Pride & Prejudice; Cabaret; Urinetown; Our Town; Vigil; 1776; Splitting Infinity; Camelot; Five Course Love; Theopholis North;, The Miser; Quilters and The Beauty Queen of Leenane. In New York he designed, Juan Darien: A Carnival Mass (Tony & Drama Desk Nominations); Miracle Brothers; Five Course Love; People Are Wrong; Wilder; Eli’s Comin’; Dream True (Drama Desk Nomination); True History & Real Adventures; You Don’t Miss The Water; The Waiting Room; Bed & Sofa (Drama Desk Nomination); Por Knockers; The Party; Lady Bracknell’s Confinement; Hannah, 1939; Urban Zulu Mambo; Catch Me If I Fall; Groundhog; The Red Sneaks; The New Americans; Winter Man; The Loman Family Picnic; The Tempest; Taming of the Shrew; Macbeth; Lemon Sky; Evening Sky and Judgement. Mr. Mercier thrives collaborating with amazing writers, composers, directors, partner designers, and actors creating original work or making established shows seem new. He and his family live in Connecticut.

PAMELA SCOFIELD (Costume Designer) designed last year’s production of The Music Man, as well as dozens of other Geva Theatre Center productions, going back to 1981. Among her Off-Broadway credits are Almost, Maine; I Love You, You’re Perfect, Now Change - which she also designed for the Chicago and San Francisco productions - The Summer Of ’42 and A Fine And Private Place. She designed the National Tour and Madison Square Garden productions of Cinderella, starring Eartha Kitt and has designed several editions of the Grammy Awards. Recent regional credits include Utah’s Pioneer Theatre, where she just designed the premiere of Find and Sign by Wendy Macleod, and Bruce Graham’s new play, The Outgoing Tide, for Philadelphia Theatre Company. She has designed several recent productions for Alabama Shakespeare Festival, the latest being The 39 Steps. Other regional theatre credits include Actors Theatre of Louisville, Indiana Repertory Theatre, Pittsburgh Public, Asolo Theatre, Berkshire Theatre Festival, the Huntington Theatre, Palo Alto’s Theatreworks and many musicals, new and old, for Goodspeed Opera and Northshore Music Theatre. Ms. Scofield has been on the faculty of Colby College and CUNY’s Queens College and has a Master’s degree in creative writing. She is a collaborator with and designer for dramatic dancer Joan Evans with whom she shares many awards, including an NEA grant and Edinburgh’s Fringe First Award for Where Ravens Rule.

JOEL MORITZ (Lighting Designer) makes his Geva Theatre Center debut with Company. Recent credits include the production design and lighting design for the new Blue Man Group show at Universal Studios in Florida, the National Tour for Blue Man Group and Snow Falling on Cedars at Hartford Stage. New York/ Off-Broadway credits includes Cosi Fan Tutte for Manhattan School of Music, Yosemite, The Wood, Post No Bills and Slipping at Rattlestick Playwright’s Theatre, Too Much Memory with New York Theatre Workshop and Rising Phoenix Rep., Tatjana in Color, wAve, The Tempest, Elliot a Soldier’s Fugue, Phedre (with JoAnne Akalaitis) and King Stag for the Juilliard School. Regional theatre and opera credits include Arena Stage, Long Wharf, Shakespeare Theatre, Goodman Theater, Steppenwolf, Chicago Opera Theatre, Chicago Shakespeare, Kansas City Rep., Court Theatre, Repertory Theater of St Louis, the Hub Theatre, Theatre Alliance, and About Face Theatre including Eleven Rooms of Proust. International design credits include Blue Man Group in Tokyo, Berlin, Oberhausen, Amsterdam, Zurich, Lugano and Basel. Theatrical productions at The Traverse Theatre, Assembly Theatre in Edinburgh and other productions in Buenos Aires, Lima, Hong Kong, Paris, Prague, and Cairo.

WILL PICKENS (Sound Designer) is happy to be back at Geva Theatre Center again. Some past productions at Geva include The Music Man, The House in Hydesville, A Christmas Carol, Urinetown, Key West, and Cabaret. Broadway credits include That Championship Season (Jacobs Theatre), Importance of Being Earnest and Present Laughter (American Airlines Theatre). Off Broadway credits include Benefactors, Heroes, Beasley’s Christmas Party (Keen Company), Love Child (New World Stages), That Hopey Changey Thing, Red and Brown Water, Brother Size and Marcus (Public Theatre) Black Snow, NonPlay (The New Ensemble). Regional credits include Renovations (White Plains Performing Arts Center), Richard III, Comedy of Errors, and Cymbeline (Chicago Shakespeare Theater), The Illusion, Hairy Dutchman, and Hello Again (University of Rochester), the Dorset Theatre Festival 2009, St. Nicholas, Merton of the Movies, The Hollow and Marry Me A Little. www.willpickens.com

MEGGINS KELLEY (Musical Staging Associate) is excited to be returning to stage the musical numbers for Geva Theatre Center's production of Company. Ms. Kelley is the founder and artistic director of Dancers' Alley Dance Studio. She is a long time faculty member of Nazareth College and has taught at NTID and the Eastman School of Music. Well known as a theatrical choreographer, Ms. Kelley's work can regularly be seen at Blackfriars and JCC Centerstage.

JEAN GORDON RYON (Dramaturg) serves as New Plays Coordinator at Geva Theatre Center where, among other duties, she produces the Regional Writers Showcase and the Young Writers Showcase. She was dramaturg for 1776, John Bull’s Other Island, That Was Then, Shear Madness and The Underpants, and The Clean House, Geva’s new production of A Christmas Carol, and she has contributed dramaturgical research and written program articles for several other productions. Ms. Ryon holds a degree in drama from Tufts University and a master’s degree in Arts Administration from Goucher College. Her most recent directing credits in the community include Grace and Glorie, Master Class, Blithe Spirit, Pride’s Crossing, and The Gin Game for Blackfriars, The Chosen and The Immigrant for JCC’s CenterStage, Juno and the Peacock, Da, Translations, Someone Who’ll Watch Over Me, Waiting for Godot, The Kings of the Kilburn High Road, Dancing at Lughnasa, Faith Healer, The Hostage, Love in the Title, and The Cripple of Inishmaan for RCP’s Irish Players, and Romeo and Juliet and Much Ado About Nothing for RCP’s Shakespeare Players. Ms. Ryon is also the Artistic Director of The Geriactors, a traveling troupe of mature actors.

VERONICA AGLOW (Production Stage Manager) returns to Geva Theatre Center where she last stage managed A Raisin in the Sun, A Christmas Carol, Dracula, On Golden Pond, Girls Night The Musical and assistant stage managed Superior Donuts, Perfect Wedding, The Music Man and Over the Tavern. Ms. Aglow recently stage managed the Philadelphia run of Girls Night at the Kimmel Center’s Innovation Studio, Joseph and the Amazing Technicolor Dreamcoat and Little Shop of Horrors at the Devon Theatre. Favorite credits include productions of Parade, Can-Can, and the world premiere of Broadway’s American Idiot. Ms. Aglow is a proud graduate of Point Park University. As always, she would like to thank her super-supportive parents, who have helped make her dreams a reality.

FRANK CAVALLO (Assistant Stage Manager) returns to Geva Theatre Center where he has stage managed numerous productions, including Superior Donuts, Perfect Wedding, On Golden Pond, The Music Man, A Raisin in the Sun, Anything Goes, Below the Belt, Five Guys Named Moe (twice), Vigil, several Reflections Festival premieres and the occasional production of A Christmas Carol. He has also worked as a stage manager at various other regional theatres, as the production manager for the Rochester Children’s Theatre at Nazareth College, and toured for Poetry in Motion with Ms. Salome Jens’ one woman show, About Anne…, featuring the poetry of Anne Sexton. Many thanks to the Geva Staff. It’s nice to be back.

JULIE ANN MADONIA (Assistant Stage Manager) started at Geva Theatre Center as an Apprentice Stage Manager for the 1995-1996 and 1996-1997 Seasons. Her favorite shows during those seasons included Laughter on the 23rd Floor, A Christmas Carol, Later Life, Five Guys Named Moe and Antigone. She is also honored to have been a part of the opening season of the Nextstage, for which she stage managed Stop Kiss and Women Who Steal. Ms. Madonia has previously stage managed three years of Hibernatus Interruptus as well as Stars of Geva in conjunction with the Rochester Philharmonic Orchestra. Thanks to Derek, Mom & Dad for their continued love and support. Love to Michael and Lilly.